Scott Pilgrim Vs. the World
An epic of epic weirdness
An epic of epic weirdness
How many times have you heard someone describe a
movie as a videogame playing out on the big screen, but without the
controller? How many times have you yourself felt that way about a
movie? And that shouldn’t even include the movies that actually are
based on real videogames. Well apparently Edgar Wright heard those
criticisms. Mr. Wright is the same director who brought us the
razor-sharp zombie and action parodies Shaun of the Dead and Hot Fuzz, and with Scott Pilgrim,
he essentially takes those videogame comparisons head-on by creating a
world that literally is a living, breathing videogame where people break
out in fights at random with pixilated effects, 8-bit sound bytes, and
end-level bosses with superpowers. It’s an 80s/90s nostalgia trip for
the people who were in-tune with both the film and gamer cultures of the
time (such as myself), but what does that mean for everyone else?
Plot Synopsis: Much to the
chagrin of his band mates, Scott Pilgrim (who’s in his 20s) is
distracted by his high school age girlfriend Knives Chau, whom he
doesn’t really like so much as he just wants to have someone he can call
his girlfriend. At a party he goes to, however, he meets the girl of
his dreams (quite literally actually), Ramona Flowers, who seems have no
interest in Scott and may even be annoyed by his personalities. Through
sheer determination, Scott soon convinces her to go out on a date with
him, probably thinking that if she just gets it over with then he will
soon go away. But while on the date, Ramona slowly starts warming up to
his nature and eventually the two get into a relationship with each
other. Unfortunately for Scott, not only does Knives not take the news
of his new girlfriend lightly, but also Ramona’s seven ex-boyfriends,
dubbed the League of Evil Exes, soon begin appearing to cause trouble.
If he is to officially date Ramona, Scott must defeat each of her
evil-exes and straighten things out with Knives.
Those who are unaware should note that this
movie is based on a series of comics by Bryan Lee O’Malley. Despite
being loaded with various comic book and videogame stylistic choices and
obscure references, the movie tells a fairly simple story with
well-rounded characters. They are very flawed, and very human beings in
an otherwise fantastical world. While I was quick to label Michael
Cera’s Scott Pilgrim as yet another socially awkward character in the
actor’s filmography, the truth is that Scott is a much more layered
character than Cera has played before. He still retains his penchant for
stuttering and low voice mumbling, but Scott also proves to be quite a
prick to most of the other people around him. He cheats on Knives (Ellen
Wong) with Romana and frequently pushes his band friends aside for his
own personal goals (usually involving a girl). At the same time, Cera
plays these selfish aspects of Scott with naivety and blissful
unawareness, so even if we don’t completely sympathize with him most of
the time, he still remains a mostly likable character. It’s a great
opportunity for Cera to show some range beyond his usual tics as an
actor, and those who write him off as one-note should give him a chance
here.
Ramona Flowers proves to be Mary Elizabeth Winstead’s first true breakout role (Final Destination 3
notwithstanding), expressing Romana’s cute, spunky attitude with the
repressed sadness and commitment issues inherent in the character. The
reasons were a little fuzzy to me over why Ramona would be so quickly
attracted to Scott during their first date, especially since he seems to
be annoying her most of the time, but their later scenes together
remedy that somewhat, especially after we learn more about her past. The
rest of the cast holds their own too, with Kieran Culkin (Macaulay’s
brother) frequently stealing the show as Scott’s gay roommate Wallace.
Culkin’s dry wit and observations provide the film with its funniest
moments. Ellen Wong was the only real weak link in the cast, coming off
as more annoying than the endearing the script seems to be going for.
And despite the fact that the seven evil exes
don’t get too much screen time individually, they were more memorable
than most villains are for entire movies. My favorites were Chris Evans
and Brandon Routh, as a hysterically self-centered movie star and an
arrogant vegan respectively. Another great thing about them is that
director Wright comes up with new and creative ways for Scott to defeat
each of them, usually in a way tailored to their professions and
personalities. For the movie star, Scott has to fight his stuntmen and
use the man’s ego against him. In the battle with twins, he must defeat
them in a music standoff. And those are only a couple of the situations.
Wright directs each of them with real flair and exuberant energy,
deftly combining the realism and normalcy of the protagonists with the
quirky and colorful nature of the action scenes. After a while, the two
styles begin to merge together, with Wright pulling off the affectionate
pop culture references with swiftness so that they don’t overcome the
story. Later scenes of dialogue are often edited with the same gusto as
in the battles, fashioning a screwball comedy tone that benefits the ADD
nature of the movie.
If there’s an issue to be had with the movie,
it’s that the super fast pace of the plot and action scenes gets
exhausting about 15 minutes before the two-hour length of it ends. The
climatic battle in particular is so hyperactive and tiring that I almost
lost interest in what was transpiring onscreen. Still, the amount of
pure imagination and filmmaking skill on display here is undeniable,
which will help the film stand out in the coming years, and I can’t
remember a movie as unique and genre-bending this year apart from Inception and Kick-Ass (which this movie will surely be compared to). Scott Pilgrim
didn’t fully wow me as much as it did for the critical community, but
it is an unquestionably fun and sweet love letter to teenage romances
and videogames that fans of both those areas should enjoy.
3.5/4
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