The Wrestler
Aronofsky + Rourke= Greatness
Aronofsky + Rourke= Greatness
I’m just going to get this over with right
now. I admit I have never seen any of Mickey Rourke’s classic movies
from the 80’s before The Wrestler. My first taste of his acting was in Sin City where
he affectionately played the bruiser Marv, and I started to take notice
after that. Three years had passed and Rourke was mostly quiet,
appearing in small supporting roles in smaller films. But those three
years were not in vain, however, as he has now made his true comeback
with Wrestler as Randy “The Ram” Robinson. When I learned that the director of this would be Darren Aronofsky of Requiem for a Dream and The Fountain fame, I knew we had a winner on our hands.
Plot Synopsis: Randy Robinson,
a professional wrestler 20 years past his prime, has now found himself
playing in high school gyms and small “underground” nightclubs for the
most diehard of fans. But this clinging to the glory days has impacted
his life, as he now has to live in a trailer park where he gets locked
out from not paying the rent from time to time. Sometimes he stops at
the local joint Cheeks where he’s friendly with a stripper Cassidy, who
like him has seen better days. After suffering a heart attack after a
match, Randy has to try and find other ways to make it through life
without wrestling and attempts to try to reconcile with his estranged
daughter Stephanie.
If you're one of those people that gets really
squeamish from seeing blood and self mutilation, then I’m going to tell
you flat out that the first 20 minutes will make you leave the theater.
The second match in the film is a “hardcore” match where the fighters
use sharp weapons including barbwire and staple guns and it is not a
pretty sight to say the least. Granted, after that nothing that gruesome
ever reappears but it still left quite an impression throughout the
remaining runtime. By shooting in a gritty documentary style and
avoiding many of the visual flourishes from his previous films,
Aronofsky not only enhances the violence going on in the ring but also
Robert Siegel’s script. By writing about the independent circuits of
wrestling rather than the more glamorous and mainstream runs like the
WWE, Siegel keeps the story small scale so that it doesn’t overpower the
drama going on in Robinson’s life or make it seem emotionally hollow.
The New Jersey locations also help and have a very worn out, working
class like look to them that fits with the proceedings and makes
everything look lived in.
Now I don’t know how good Mickey Rourke was in
the olden days (although I’ve heard he was a pretty good actor), but I
will tell you this, he is amazing in The Wrestler. He’s a
bruiser, but a surprisingly human bruiser who just loves the sport of
wrestling. Rather than turning his life around like most characters
would after such a disability, Robinson tries to fit in to public life
but eventually realizes that wrestling is his life and he will do
anything to keep doing it. When he finally breaks out in tears in front
of Stephanie at one point, we feel his sorrow too because he loves both
her and wrestling, but can’t handle them together. Evan Rachel Wood
handles Stephanie admirably without turning her into a whiny brat whose
anger is unjustified, because well, it is. She slowly begins to warm up
to Randy as he spends time with her, but when he misses a dinner with
her she realizes he’s still the same person. Marisa Tomei well plays
Cassidy similar to Robinson, considering their characters face the same
challenges. In one scene, we see her walking around her club looking for
some business, but none of the men take interest in her. We can
certainly see why she and Randy are such good friends because both of
them can empathize with each other’s issues of age and expendability.
When I saw a Q & A with writer Siegel,
producer Scott Franklin, and critic Peter Travers, the three men noted
the similarity between Randy Robinson’s life and Mickey Rourke’s own
personal life. Similar to Randy, Rourke has found the path to making a
comeback to the profession he was once considered so good at. And thank
God for that.
4/4
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