Alien vs. Predator
“Whoever wins, we lose.” The most truthful advertising ever.
“Whoever wins, we lose.” The most truthful advertising ever.
Sometimes it's hard to remember that all the trouble that went into creating AVP was caused by a little throwaway moment at the end of Predator 2
where Danny Glover discovers one of the alien dome skulls in the back
of the predator's ship. It was like a trophy, hinting that the predators
hunted the aliens for sport somewhere, much like they hunted the humans
on Earth. Oh, how many possibilities and theories would soon be crafted
by curious fans. Soon scriptwriters started to get in on the craze, but
none of their drafts were chosen to be produced. Then a little writer
and director by the name of Paul W.S. Anderson came in with his script,
which was then chosen by the studio to be “The One.” Now Anderson had
made some reasonably fun B-movies in his career, such as the guilty
pleasures Event Horizon and Resident Evil, which means
he should've had few problems with bringing the same fun and
entertaining feel that was in his previous pictures to this one. But
after 12 years and multiple scripts, is this really the treatment it
deserves?
Plot Synopsis: In the year
2004, a satellite owned by Charles Bishop Weyland picks up an
unidentified heat signature on an island in Antarctica. Weyland
assembles a team of various scientists, archeologists, drillers, etc. in
order to find what’s in the area and claim it as their own. When they
arrive they find the remains of an old mining town that had been
deserted since 1904, and a recently dug tunnel entrance leading towards
the heat signature. After reaching the end of the tunnel, the remains of
a massive pyramid are found underneath the ice, and the crew
investigates. Soon enough they find a sacrificial chamber filled with
rib cages of corpses that appear to have been burst open, and another
room containing some form of advanced weaponry. At the same time an
alien queen awakens deep within the pyramid, releasing its eggs into the
sacrificial chamber, and the predators soon arrive on their spaceship.
After the predators enter the pyramid to fight off the aliens, the crew
realizes that they are caught in the middle of a centuries-old war and
they attempt to reach the surface. However, they also have to contend
with the constantly shape shifting pyramid.
There are some glimmers of originality present
here, such as the idea of the pyramid shifting every few minutes and the
background that explains the war between the aliens and the predators.
This background creates a mostly plausible reason (in this twisted world
at least) for the epic feud at hand, with the aliens basically being
used as fodder to train new predator recruits. But any other redeeming
value stops there. I must credit Anderson for trying to make some kind
of build up to the action, in an attempt to create tension and suspense,
but there's a problem with this. The build lacks the necessary suspense
and character moments that would've made it work. So now we have about
50 minutes or so of boring exposition and nothing of interest going on.
When the aliens finally began picking off the men, I felt as if the
movie should've taken off, but it didn't. The kills lack any kind of
blood or gore that would have made them fun pleasures (thanks to the
family friendly PG-13 rating), or the scare factor that would have
created horror in these situations.
At one point I could almost feel like the movie
was going to redeem itself. The predator and alien meet for the first
time, as the alien impales a predator with its tail. It's a tense
moment, one where two horror icons have a face off and would soon start
their long awaited fight. The alien opens its mouth, strikes the
predator with its tongue, and...no blood. A perfectly good moment
ruined. But the disappointment doesn't stop there. The resulting battle
between the alien and another predator reaches levels of stupidity I
rarely see, even in second-rate horror remakes. Instead of a genuinely
hard hitting brawl, Anderson gives us sensory overload, with copious
amounts of quick cutting, a shaky cam, and an alien that can be swung
through stone walls without receiving any kind of injury.
I wouldn't have taken issue with this had the
movie not taken itself so damn seriously. Rather than simply creating a
monster mash without any other pretense, the film shoots itself in the
foot by trying to set it up as another horror movie, which is a problem
since it isn't really scary. The actors on display here follow suit,
with leaden acting and minimal characterization. Lance Henrikson, a
great character actor in his own right, looks bored and disinterested,
Sanaa Lothan is a very uninvolving protagonist, and the other crew
members resort to stereotypes (like the hieroglyph decryptor who seems
to know everything about the pyramids history even though it's never
been discovered before). Lothan's character has the most ridiculous
moments in the film, as she and the predator join forces (!!!) to fend
off the aliens in the end and when she recites a famous quote from Predator.
Other minor issues crop up a lot, and only adding to the frustration.
Face-huggers are presented in slow motion, which ruins their appeal.
Obviously CGI aliens pop up occasionally (both during fight scenes and
non fight scenes), and plot holes rear their ugly head. One hole happens
during the final battle involving the alien queen and a predator, which
doesn't make sense plot-wise, and is simply the result of sloppy
writing.
All in all, Alien vs. Predator just
doesn't work on any front. It's not a good horror movie, it's not a good
action movie, and it's not even a good guilty pleasure. At least Freddy vs. Jason had
the good sense not to take its story seriously, and just had fun with
the idea. There's no fun here, just boredom and frustration.
1/4
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